This is the painting (16 x 20) that I have put on my February newsletter - fresh off the easel! I'm working on a series of "city nights" paintings because it is an interesting challenge . I enjoy looking at other artists' city scenes and city night scenes so I want to see what I can bring to this subject area. For mine, I prefer to be at street level - not high up- and have people in the scenes. To me. there is something a little eerie to a deserted street scene. Buildings fading into darkness have a certain mystery and I love reflections of all types. I start with a dark blue" imprimatura ", or base coat. First I sketch in the scene with transparent white, put in some of the darkest darks (no actual black was used in this) and then start building up in layers. It takes some time to build up the effects so that it becomes a painting and not a photo-copy. Sometimes people want to know just where the scene was - but I don't this this is really important - it can be anywhere the viewer visualizes it to be so that the viewer's experiences become part of the enjoyment. I'm giving this series all "time" titles so I'm calling this one "Five Forty-five" - closer to home than "Five-fifteen" when everyone as just leaving their offices. in my mind, the story is that they have bought something at the store with the unclear (deliberately) sign and are now going home with it. I know what I had them buy - and why- but someone else can bring their own story to this. What's your story?
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