Well, here is the painting with the most red I have ever put into a painting! On the other hand, I have never painted a poinsettia before. This all started as I was mulling over what paintings to use on my Christmas card. When I was given a poinsettia, it seemed a natural to have it for the cover painting- the only problem was that the painting had not been painted. I also had the inspiration of two trial tubes of "cadmium red medium" from Liquitex. They were just marked "1" and "2" and one was truly cadmium-based but the other is a new development that eliminated the toxic cadmium and was said to be a very durable replacement. I tried out the two and got some friends to try too - and we could not tell any difference in how the paint handled. This is a terrific step forward for good opaque reds, orange, and yellows in eliminating toxins. Paint manufacturers are always working for improvements. When Van Gogh painted his yellows, they were not permanent and dis-coloured over the years. Cadmiums were a "permanent" replacement but now they will be replaced too. This has happened with many colours over the years- arsenic is no longer used in greens and expensive lapis-lazuli was no longer needed when ultramarine blue was developed. Liquitex, interestingly enough, was the first developer of acrylic paint for fine arts. It was developed after latex paints came into use for house paints... and that, of course, was so toxic lead could be eliminated from house paints. So, bit by bit, some toxins are being eliminated.
So I'm late with snail-mailing cards but it was fun to do this painting.
ArtRich is on display in Richmond Art Gallery until the end of the month. I have "Sandpiper Time" on show as it was accepted into this exhibit. The red in it is just a very little bit- the Canadian flag and its reflection.
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