Saturday, April 25, 2015

Ready for upcoming show-

     I've got this one, called "Sandpiper Time, Britannia" for the show Richmond Artists Guild will be having May 6 to 10 in the performance hall at the Art Centre. I will also be showing the one - on a previous blog- of the fish-boat with the net being wound onto it as well as the one used on my last newsletter - so a local water scene theme for me this time around. The poppies will be going down to Rocanini for May through June 29.
      Tomorrow, the paintings will come down from the Gulf of Georgia Cannery as the last indoor Farmers market is held. We will, no doubt, be back again at a future date.
     Exhibition space is always a problem for artists, especially when there is not a real community gallery. We used to have biannual shows in Richmond Art Gallery as well as a preview showing for Artists Among Us - which was a precursor to DoorsOpen. Now the Gallery is only interested in so-called "contemporary" art- which is an interesting definition in itself. However, impressionistic and realistic art still lives and is produced and enjoyed by many.
     Ian Roberts in his book "Creative Authenticity" has comments to make about so-called "contemporary art". This is one book I keep returning to even 'though it is not an instruction book. It is a book that makes you think about the path you are taking with your work. Ian states that a work of art has to communicate something. "It reminds me of a bumper sticker I saw- "Just because no one understands you, doesn't mean you're an artist" Much contemporary art is very self-absorbed. It may have been fascinating for the artist to create, but it doesn't have the necessary hook to engage the viewer. We're left outside a private loop, perplexed."
      I'm hoping this one leaves no-one perplexed - but then it is not "Contemporary". This painting was the view from the Seine Net loft at Britannia Shipyards near the end of September. I wanted to capture the mood of the place and the feeling of history with all the pilings left from buildings or wharves of the past. I used thick gel to build up the texture of the pilings so they stand out from their reflections in the river. There is something almost magical about the light on the boats and all the reflections. Sandpipers, on their annual visit sit, carefully spaced, along a floating log while one perches on a piling.

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